壮族多声部民歌的表演实践与认知模式

Performance Practice and Cognitive Models of Zhuang Polyphonic Folk Songs

不同地区与支系的壮族拥有丰富且多样的多声部歌唱形式。壮族多声部民歌的织体形态所呈现出的多样性与各地民间歌手在表演实践中的互动方式与协作关系的差异密切相关。“高与低”“起与收”以及“合与分”三对重要的关系是壮族民间歌唱主体在认知、表述与实践多声部歌唱时的焦点,以此构成主位视角下以表演实践为基础的认知模式。

The diversity in the texture of Zhuang polyphonic folk songs is closely related to the variations in interaction and collaboration among folk singers.Three crucial relationships—“high and low,”“beginning and ending,”and“union and separation”—are the focus of Zhuang folk singers in their cognition,expression,and practice of polyphonic singing.