现代性的另一条路径:维克多·霍塔的整体性设计美学

Another Path of Modernity:Exploring Victor Horta’s Holistic Design Aesthetics

本文致力于探索19世纪末20世纪初比利时新艺术运动核心代表人物维克多·霍塔的整体性设计美学及呈现方式,并认为他创造性地走出了现代性的另一条路径。文章首先将“整体性”置于现代性语境中审视,以探究霍塔的创新之处及现代性意义;随后通过具体分析霍塔整体性设计美学的四个不同层面:媒介/材质的整合性、空间的“开放式平面”、风格的多元统一以及感官的联动体验,深入探究其实践路径、历史意义及美学价值,并思考其对中国当代设计的启示。

Victor Horta was a central representative of the Belgian Art Nouveau at the end of the 19th and early 20th centuries,known for his interior design.This article is devoted to exploring Horta’s holistic design aesthetics and its presentation path,and believes that he creatively practiced another path of modernity.The article first examines the“holistic”in the context of modernity,in order to explore Horta’s innovation and the significance of modernity,then analyzes four different dimensions of Horta’s holistic design aesthetics,which are the integration of media/materials,the“Open-Plan”of space,the unity of multiple styles and the linkage of senses,deeply exploring its practical path,historical significance and aesthetic value,as well as to reflect on Horta’s revelations on contemporary design in China.