通渭剪纸春叶、遮面与大地湾陶纹的关联性研究

Study on the Correlation Between the Spring Leaf and the Face in Tongwei Paper-Cut and the Dadiwan Pottery Pattern

追溯通渭剪纸春叶、遮面的源头发现,它和历史文化“幡胜”有着不可分割的前后关系,具有必要的传承和继承性,从春幡演变成陇中当地民俗节日的一种文化符号,其发展和演变有其内在的根源,同处陇中地域的春叶、遮面图案构成与大地湾文化时期的彩陶上的纹案有着密切的关联性。这种传承不仅是文化载体的嫁接,从本质来讲是地域文化潜移默化的传递,是渭河流域滋养所形成的地域文化。根据相关文献和图式纹样比对,从大地湾五个文化期的纹样元素中发现了春叶、遮面的图案元素,尤其在二、三、四期的图案元素中有明显的延续。该文就此以文献载述和图案考察对比进行分析论证二者之间的关联性。

Tracing back to the source of Tongwei paper-cut spring leaves and cover faces,it has an inseparable relationship with the big historical and cultural"Virga Sheng",with the necessary inheritance and inheritance.From the spring virga to a cultural symbol of the local folk festival in Longzhong,its development and evolution have their internal roots.The patterns of spring leaves and masks in Longzhong region are closely related to the patterns on painted pottery in Dadiwan Culture period.This kind of inheritance is not only the grafting of cultural carriers,but also the imperceptive transmission of regional culture in essence,and the regional culture formed by the nourishment of Weihe River basin.According to the comparison of related literature and schema patterns,the pattern elements of the five cultural periods of Dadiwan are found in the spring leaf and mask pattern elements,especially in the second,third and fourth periods.In this paper,the correlation between the two is analyzed and demonstrated by the literature description and the comparison of patterns.