“雅颂之音”与“讽谕之鸣”:论礼乐复兴视域下的宋初文学

"The Voice of Yasong"and"The Song of Allegory":An Investigation into the Literary Ecology of the Early Song Dynasty from the Perspective of Liyue Revival

宋初文坛纷繁复杂,不仅呈现出南北对峙、难以融合的紧张局面,还产生了时文与古文的创作分歧。而于此之外,士人群体内又共同含纳着一股颂美君王功业、宣扬帝国政治的风气。尽管从传统文艺审美的角度看,这种风气催生的文学作品多属程式化的礼仪书写,但若将之置于宋初礼乐复兴视域下进行更深层次解读,则于某些赋颂中可观觇士大夫政治主体意识的觉醒迹象,且雅颂主旋律中讽喻之声的鸣起,又宣示了宋初文人对唐人风雅观的进一步开拓。这些被程式化书写遮蔽的内容,实质是政治与文学的合奏交响,二者间表里经纬的错综关系及由此生成的强力互动,正体现出此间特殊的文学生态。

The literary world in the early Song Dynasty was complicated and varied.Not only did it present a tense situation of north-south confrontation and difficulty in merging,but also created the divergence between contemporary and ancient essays.In addition to this,there is an atmosphere of eulogizing the merits of the king and preaching imperial politics.From the perspective of traditional literary aesthetics,most of the literary works generated by this atmosphere are stylized etiquette writings,but if it is placed in the perspective of the ritual and music revival in the early Song Dynasty for a deeper interpretation,it will be impressive in some eulogies.The awakening signs of the literati and officialdom's political subject consciousness,and the sound of allegory in the main theme of Yasong,also declared the further development of the Tang Dynasty literati in the early Song Dynasty.The content obscured by the stylized writing is actually a symphony of politics and literature.The intricate relationship between the longitude and the latitude between the two,and the resulting strong interaction,are reflecting the special literary ecology here.