身体视域下的青海玉树依舞探究——以民间舞蹈“巾迪出禄雅嗦”为例

Study on Yi Dance in Yushu,Qinghai Province under the Body Vision:Taking the Folk Dance“Jindichuluyasuo”as an Example

本文从身体视域出发,对青海玉树“依舞”进行多维度的探究,以民间舞蹈“巾迪出禄雅嗦”为例,探究了青海玉树“依舞”下的“文化”身体并从中分解出地域文化的身体、服饰的身体和劳作的身体。在“美”的身体层面提炼出身体的节奏律动之美、身体动作的重复之美和联袂踏歌下男女的身体互动之美。然后,从“技术”的身体升华中提炼出“歌舞乐”三位一体的“技术”身体和“巾迪出禄雅嗦”舞蹈高潮部分时的“技艺”身体。最后从“合一”的身体层面出发,在青海玉树“依舞”所呈现的“具身”身体和“歌舞一体”身体出发,进而上升到中国传统文化历来追求的“身心合一”“人物合一”和“天人合一”的身体。

From the perspective of the body,this paper makes a multidimensional exploration of the“Yi dance”in Yushu,Qinghai Province.Taking the folk dance“Jindichuluyasuo”as an example,it probes into the“cultural”body under the“Yi dance”in Yushu,Qinghai Province and breaks down the regional culture body,the dress body and the work body.In the body level of“beauty”,it extracts the beauty of the rhythm of the body,the beauty of the repetition of body movements and the beauty of the physical interaction between men and women under the joint singing.Then,from the sublimation of the“technical”body,it extracts the“technical”body of the“song,dance and music”and the“technical and artistic”body of the“Jindichuluyasuo”dance climax.Finally,starting from the body level of“unity”,the“embodied”body and“song and dance”body presented by“Yi dance”in Yushu,Qinghai Province,and then rising to the body of“unity of body and mind”,“unity of people and thing”and“unity of heaven and man”that Chinese traditional culture has always pursued.