卡夫卡“中国人”身份的自我表演

Kafka’s Performance as“Chinese”

从语文学与社会学的诠释方法出发,将卡夫卡的“中国人”扮演置于历时/共时、文学文本/非文学文本的多重互动与矩阵中,探究卡夫卡如何通过表演“中国人”来表述自己之于不同事件中心的角色定位与身份探寻,尤其是困惑于流浪的身份属性与政治民族“共同体”之间的二律背反。同时,作为文化符号的“中国人”也在这一问题的思考中呈现出了意义的差异性与碎片化特征。

Kafka’s performance as“Chinese”was studied with methods of philology and sociology to see how he expressed his role positioning and identity exploration in different events.Kafka’s portrayal of“Chinese”was placed in a multiple interaction of historical/synchronic and literary/non-literary texts,and the result showed that he was influenced by decadence in the early stage,and formed multiple self-identities.He intermittently sought for spiritual belongingness to Jewish culture,demonstrating the dichotomy between his wandering identity and the political and ethnic“community”.As a cultural symbol,“Chinese”also reflected differences in meaning and fragmented characteristics.