摘要
魏晋南北朝时期的乐舞在独特的舞姿风貌中不断追求内心世界的宣发,形成了玄远雅致的舞蹈意蕴美。前溪舞作为魏晋南北朝时期清商乐舞的典范之作,以忧郁伤感的风格展现出当时乐舞的人文风貌。伴随着中国传统舞蹈艺术的时代发展,魏晋南北朝时期的前溪舞实现了从“符号”到“意象”的诗性表达与当代审美转化,深刻地表达出哀抑与超脱的舞蹈气质。具有当代审美属性的舞蹈作品《春水前溪》通过借鉴前溪舞不仅呈现出特有的动作形态与风格范式,同时映射出鲜明的人文精神,从而为中国古代乐舞艺术的当代传承与发展提供现实参照。
During the Wei,Jin,Southern and Northern Dynasties,music and dance continuously pursued the dis⁃semination of their inner world in their unique dance style,forming a profound and elegant dance connotation.Qianxi Dance,as a masterpiece of Qing Shang Music and Dance during the Wei,Jin,Southern and Northern Dynasties,showcases the humanistic style of music and dance at that time in a melancholic and sentimental style.With the de⁃velopment of traditional Chinese dance art in the era,Qianxi Dance during the Wei,Jin,Southern and Northern Dy⁃nasties achieved a poetic expression and contemporary aesthetic transformation from“symbol”to“image”,deeply expressing a melancholic and detached dance temperament.The dance work Spring Water of Qianxi with contemporary aesthetic attributes not only presents unique movement forms and style paradigms by drawing inspiration from Qianxi Dance,but also reflects distinct humanistic spirit,thus providing practical reference for the contemporary inheritance and development of ancient Chinese music and dance art.
出处
《浙江艺术职业学院学报》
2023年第4期93-98,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
魏晋南北朝
前溪舞
当代审美
《春水前溪》
Wei,Jin,Southern and Northern Dynasties
Qianxi Dance
contemporary aesthetics
Spring Water of Qianxi