政治与文化双重语境中的苏轼《宸奎阁碑》考论

Investigation into Su Shi's Chenkui Tower Tablet in the Dual Context of Politics and Culture

元祐年间苏轼于杭州任上撰成《宸奎阁碑》。在政治语境中,碑文本事以仁宗崇佛映射出元祐时期宽缓的政治导向。但因朝野之别,其书法风格又与他任职中央时的《上清储祥宫碑》差异明显。绍述时代此碑旋遭禁毁,高宗主政时又重获认同,显露出《宸奎阁碑》于政治层面的工具性命运。在文化语境中,后世通过文章追忆的方式与重刻此碑的手段,赋予《宸奎阁碑》超然于政治的文化效力。

During the Yuanyou reign,Su Shi wrote an inscription for Chenkui Tower Tablet while he was working in Hangzhou.In the political context,the inscription reflects a lenient political orientation of the reign when Emperor Renzong advocated the cult of Buddhism.However,its calligraphic style is obviously different from that of The Shangqing Chuxiang Palace Tablet,thanks to the distance from the imperial court.Chenkui Tower Tablet,banned and destroyed during the Shaoshu reign,was re-recognized by Emperor Gaozong,revealing a political instrumental destiny.In the cultural context,later generations have endowed this tablet with an immortal cultural charm beyond politics by means of memorial writing and re-engraving of the tablet.