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白纳万有 守正而新——第三届“中国白”国际陶瓷艺术大奖赛获奖及入围作品展述评

White Incorporates Everything,and Uphold Fundamental Principles to Break New Ground:Commentary on the Award-winning and Shortlisted Artwork Exhibition of the Third"Blanc De Chine"International Ceramic Art Award
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摘要 “中国白”国际陶瓷艺术大奖赛已成为全球陶艺创作领域一项重要的公益性赛事,其入选作品在一定程度上起到陶艺创作风向标的作用。本文以“中国白”之由来及其美学精神为出发点,追溯它由一种具有地域特征的陶瓷品类发展为映射民族文化认知的国际品牌实践之路;围绕地域审美的模糊化、作品形式的丰富性、观念表达的包容性、材料应用的多样性四个维度,解读第三届“中国白”国际陶瓷艺术大奖赛主题“无界”的内涵及入选作品特征,进而归纳出国际陶艺由形式至观念、由个人情感诉说至为时代发声的创作动向。 The"Blanc De Chine"International Ceramic Art Award is now an important public welfare event in ceramic art creation across the world,the selected artworks of which have in some way guided ceramic art creation.This article examines the origin and aesthetic spirit of Blanc De Chine and traces its development from a ceramic category with regional characteristics to an international brand that reflects national cultural recognition.It interprets the meaning of Boundless,theme of this year's Award,and features of selected artworks from the four perspectives of the blurring of regional aesthetics,the richness of forms,the inclusiveness of concept expression and the diversity of materials,to summarize the trend of international ceramic art creation that shifts its focus from forms to concepts and from expressing personal feelings to speaking out for the times.
作者 付彬捷 Fu Binjie(Academy of Arts and Design,Tsinghua University)
出处 《美术》 北大核心 2024年第1期31-35,F0004,共6页 Art Magazine
关键词 中国白 国际陶瓷艺术大奖赛 无界 艺术交流 Blanc De Chine International Ceramic Art Award Boundless art exchanges
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