“接着讲”——评阳光漓江题材水墨作品

"Going on Speaking":Comment on Lijiang River-Themed Ink Paintings by Yang Guang

本文之所以以冯友兰“照着讲”和“接着讲”的比喻来观照阳光的绘画艺术,是因为阳光在这一问题之下具有相当的典型性,值得重视和研究。这个典型性有两个方面的突出体现,一是阳光作为阳太阳之子,如何在处理父辈与后辈的关系时把握好“照着讲”和“接着讲”;二是阳光作为“长期生活在漓江两岸、开门开窗就见山见水、天天沉浸在桂林山水间”的“漓江之子”,其漓江题材绘画艺术,如何在处理丰厚的漓江题材绘画传统与自我艺术创造时把握好“照着讲”和“接着讲”。由此看,辨析阳光的“照着讲”和“接着讲”,探寻他如何摆脱“影响的焦虑”而构建起自己的笔墨语言和艺术范式,不仅是他的艺术个案,而且也有普遍意义和参考价值。

This article analyzes Yang Guang's art of painting with Feng Youlan's metaphor of"speaking accordingly"and"going on speaking",as Yang Guang is so typical in this issue that he is worthy of attention and study.Thistypicality can be seen from two aspects:on one hand,as the son of Yang Taiyang,Yang Guang grasps"speaking accordingly"and"going on speaking"when dealing with his relationship with elder and younger generations;on the other hand,as"the son of Lijiang River"wholives along the Lijiang River and can always appreciate beautiful landscape in Guilin,he grasps"speaking accordingly"and"going on speaking"when he carries forward the tradition of Lijiang River-themed paintings while developing his own way of painting.In this regard,this case study of analyzing Yang Guang's way of"speaking accordingly"and"going on speaking"and his efforts to get rid of"the anxiety of infuence"and develop his own painting techniques and artistic style,is about more than a case.More importantly,this case is of universal significance and is worthyoflearningfrom.