民族艺术对外话语体系构建研究——以广西特色民族艺术话语为例

Construction of Ethnic Art Discourse System in International Communication——A Case Study of Guangxi's Characteristic Ethnic Art Discourse

民族艺术历来是国际交流中的一个重要组成部分,并逐渐成为现代对外话语体系中精神文明的重要载体之一。因此,在新时代下构建民族艺术对外话语体系具有重要的理论意义和时代价值。民族艺术的生成与发展伴随着政治的需求、乌托邦的想象及主体的缺失,难以形成独立的话语体系,始终处在被支配的地位。民族艺术对外话语构建首先要基于语言和文化历史的差异,该文以广西地方特色民族艺术话语体系的构建为例,借鉴术语翻译和艺术人类学的方法,基于田野调查准确阐释艺术术语背后具体的文化价值,通过规范双语定名打破传播壁垒,以期为我国民族对外话语体系建设提供借鉴与参考。

The construction of an ethnic art discourse system in international communication is of great significance in the new era.Ethnic art has always been an important part of cultural exchange and has gradually become a carrier of spiritual civilization in the modern discourse system.However,due to political demands,utopian imagination,and the lack of subjectivity,ethnic art discourse has been in a subordinate position and has not formed an independent discourse system.This research takes the construction of the local characteristic ethnic art discourse system in Guangxi as an example,and explores the methods and strategies for constructing an ethnic art discourse system in international communication.By drawing on the methods of terminology translation and art anthropology,and conducting field investigations,this research aims to accurately interpret the specific cultural values behind art terminology and break through communication barriers through standardized bilingual naming.The findings of this research can provide valuable references and guidance for the construction of China's ethnic art discourse system in international communication.