尼采美学视域下《凌晨三点》的审美价值赏析

Appreciation of the Aesthetic Value of Three AM from the Perspective of Nietzsche's Aesthetics

缅甸文化源远流长,在历史长河中衍生出了诸多富有特色的缅甸文学作品。缅甸作家桑温拉是一位有着深厚的艺术造诣的作家,本文以其作品《凌晨三点》进行文本探究与审美赏析,试从尼采美学视角下对该书的艺术价值做评析,为缅甸现代文学作品研究和尼采美学的感悟扩充实例分析素材和审美思路。该作品的时代背景为英国殖民缅甸及日本入侵缅甸时期,与同类反殖民、反战题材的其他缅甸文学作品不同的是作者着重描绘文字语言的美感,并试图以隐约的悲剧性物哀美感带给读者更加独特的美学体验。美与哲学是抽象的,要变成可视化的形式需要作者深厚的艺术功底和表现力。该文试图结合小说中具体的行文手法、场景描写、人物刻画等方面,在尼采美学视域下分析作者为读者创造的审美空间。

Myanmar's culture has a long and rich history,giving rise to many distinctive Burmese literary works.The Burmese writer Sang Wenla is a writer with profound artistic attainments.This article explores the text and aesthetic appreciation of her work Three AM,and attempts to evaluate the artistic value of the book from the perspective of Nietzsche's aesthetics,expanding the analysis of materials and aesthetic ideas for the study of modern Burmese literature and Nietzsche's aesthetics.The novel is set in the era of British colonization of Burma and Japanese invasion of Burma.Unlike other Burmese literary works with similar anti colonial and anti war themes,the author focuses on depicting the beauty of written language and attempts to provide readers with a more unique aesthetic experience through the subtle and tragic beauty of material sorrow.Beauty and philosophy are abstract,and transforming them into visual forms requires the author's profound artistic skills and expressive power.This article attempts to analyze the aesthetic space created by the author for readers from the perspective of Nietzsche's aesthetics,combining specific writing techniques,scene descriptions,and character portrayal in the novel.