《本朝文粹》卷一校勘讹误考证

Research of the False Textual Criticism in the First Volume of Honcho Monzui

日本汉文学写本研究属日本文学研究的难点,是当下中日学界广泛关注的前沿课题。由于写本非常脆弱,在保存上难度极大,因此加强对写本进行整理与研究,是当下学者迫在眉睫的任务。日本平安时代的经典选集《本朝文粹》,是日本古代最具代表意义的汉文学总集,是研究中国古代文学典籍在日本传播与影响的最重要的资料之一。本文就以静嘉堂文库本《本朝文粹》卷一为例,对《本朝文粹》古写本进行校勘研究,指出历来校订本在字词识读、文意理解等方面的讹误,对先前校勘中存在的问题进行分析、比勘其文字篇籍的异同、纠正其讹误、力求接近原文真相,以此来论证域外汉文文献对于校勘研究可提供的新的思考空间。

Manuscript,a difficult and frontier study in Japanese literature,has attracted great attention in Sino-Japanese academic circle.Manuscripts are in danger due to their fragility and conserving difficulty.Therefore,promoting research on manuscripts is the mission of both foreign and domestic scholars.Honcho Monzui,a Chinese classical anthology compiled in Japanese Ping’an period.Honcho Monzui is the most acclaimed collection of Chinese literature in ancient Japan and also the one of the key materials to study the spread and influence of Chinese literature in Japan.This paper takes the first volume of Seikado Bunko Manuscript as the object to do a textual research on the ancient manuscript of Honcho Monzui and aims to point out the problems existing in the revised editions throughout the history,to demonstrate that extraterritorial Chinese literature can provide a new way of thinking for studying Chinese characters,allusions and emendation.