跨艺术诗歌研究的中国理论建构与实践

The Inter-Art Study of Poetry as a Chinese Theory:Its Construction and Practice

新时代中国外国诗歌的跨艺术研究取得了丰硕成果。从学术史和中西学术交流互鉴的视角对新时代中国外国诗歌跨艺术研究的理论探索与批评实践进行爬梳整理,可以勾勒出新时代中国跨艺术诗歌研究的理论构架及其特征。总体而言,跨艺术研究本质上是诗歌研究的方法论,以艺格符换诗歌为研究对象,以跨艺术为研究方法,以其对艺术间性、跨学科性、文本的流动性、文学性与文化性相融合的强调为主要特征,以诗歌的跨艺术机制及其背后的美学意义和文化意义探寻为旨归。新时代中国外国诗歌跨艺术研究所取得的丰硕成果不仅拓展了这一批评理论的应用疆界、进一步完善了跨艺术诗歌研究范式,而且彰显了跨艺术诗歌研究理论的学术价值及其在中国自主学术话语体系建构中的意义。

The “inter-art study” of foreign poetry in China's New Era has made some great accomplishment both in theoretical exploration and critical practice. This essay attempts to comb through its exploration and practice, in the context of the academic development and the scholarly exchange between China and the West, for a clear delineation of the theoretical framework of the China-based “inter-art study of poetry,” as well as its academic values and cultural implications. This essay argues that the research practice of foreign poetry in China's New Era has already solidified its theoretical framework for inter-art studies. Broadly speaking, the “inter-art study” is, in essence, a methodology in poetic studies, which takes ekphrastic poetry as its object of research, uses the inter-art exploration as its approach,attaches major significance to inter-artisticality, inter-disciplinariness, intertextual fluidity and integration of literariness and culturality, and ultimately aims at exploring the inter-art mechanism in poetry and its aesthetic and cultural connotations. The rich accomplishment in the inter-art study of foreign poetry in China's New Era, so far, has not only broadened the practical scope of such a theory and further perfected the paradigm for the inter-art study of poetry, but also highlighted the academic value of this theory and its significance in the construction of China's academic discourse.