摘要
基于“身体在场”的不可移动文物展示逻辑,已明显制约数字展示的创新性,需要从以身体在场为中心的还原和交互展示,迈进到以更加主动转场体验为中心的文化内容创造创新展示。作为不可移动文物数字展示方式探索的新逻辑,“具身转场”分为基于媒介呈现的转场、基于社会经验的转场和基于体验迁移的转场。面向文物的数字艺术的创作,能消解数字技术可能带来的人与(文)物互动的潜在限制,并赋予这种数字化互动以社会化互动的内蕴。
The logic of displaying immovable cultural relics based on the“presence of the body”has significantly constrained the innovation of digital displays.There is a need to move from a logic centered around the physical presence to a cultural content creation-oriented innovation display centered around proactive experiential transfer.As a new logic for exploring digital display methods for immovable cultural relics,“embodied transfer”includes medium-based transfer,experience-based transfer,and transfer based on experiential migration.Digital art creation for cultural relics can dissolve the potential limitations of human interaction with(cultural)objects brought about by digital technology and endow this digital interaction with the intrinsic qualities of social interaction.
作者
柴秋霞
邓又溪
CHAI Qiu-xia;DENG You-xi(Department of Cultural Heritage and Museology,Fudan University,Shanghai,200433)
出处
《东南文化》
CSSCI
北大核心
2023年第6期12-19,共8页
Southeast Culture
基金
国家社会科学基金重大项目“当代新兴增强技术前沿的人文主义哲学研究”(20&ZD045)的阶段性成果。
关键词
虚拟现实
转场
不可移动文物
活化利用
数字艺术
virtual reality
transfer
immobile cultural relics
activation and utilization
digital art