古今中西会通视阈下的潘知常生命美学研究——读潘知常《我审美故我在——生命美学论纲》

A Study of PAN Zhichang’s Life Aesthetics from the Perspective of Ancient and Modern Chinese and Western Comparison:Thoughts on PAN Zhichang’s I Am Aesthetic,Therefore I Exist:An Outline of Life Aesthetics

以古今中西会通为视角,阐释和解析中国美学教授潘知常的新著《我审美故我在—生命美学论纲》。区别于李泽厚的实践美学,潘知常从中国传统美学的核心精神“生”“情”“境”出发,具有“万物一体仁爱”的生命哲学和“情本境界论”审美观和“知行合一”美学践履传统的生命美学振聋发聩,引发美学界“哥白尼”式的革命。阐释他用拿来主义的态度,广泛吸收借鉴中外美学、文学、哲学思想宝库,打通古今,融汇中西,形成独特的生命美学体系,对中国文论的建设和美学的发展带来很深的启示。

From the perspective of ancient and modern Chinese and Western integration,this paper interprets and analyzes Chinese aesthetics professor Pan Zhichang’s new book I Am Aesthetic,Therefore I Am.Different from Li Zehou's practical aesthetics,Pan Zhichang started from the core spirits of traditional Chinese aesthetics,with the life philosophy of“all things in love”and the aesthetic aesthetics of“feeling as the realm”and the aesthetics of“unity of knowledge and action”,he practiced the traditional life aesthetics,which awakened the enlightenment and triggered the“Copernican”revolution in the field of aesthetics.This paper explains his attitude of using the doctrine,extensively absorbing and learning from the treasure house of aesthetics,literature and philosophy at home and abroad,opening up the ancient and modern,integrating the East and the West,forming a unique system of life aesthetics,which brings deep enlightenment to the construction of Chinese literary theory and the development of aesthetics.