钢琴视角下的琴筝和鸣探讨

Resonance in Guzheng and Piano under the Perspective of the Piano

古筝与钢琴是来自于两种截然不同文化环境的迥然不同的两种乐器,二者之间有太多的不同之处,然而在东西方音乐文化交流日渐频繁的进程中,两种原本应该形同陌路的乐器渐渐有了交集,而随着二者交流的深入,越来越多的古筝曲实现钢琴化改编,钢琴在古筝曲的演奏中也开始扮演越来越重要的角色。钢琴与古筝的结合对于我国传统古筝音乐的现代化发展有着极为重要的意义,同时与古筝的结合也是我国钢琴音乐进一步民族化的重要途径。

The guzheng and the piano are two different musical instruments from two different cultural environments with too many diff erences.However,in the process of the increasingly frequent exchange of eastern and western musical culture,the two instruments that were supposed to be separate gradually intersect,and with the deepening of their exchanges,more and more guzheng music has been piano-oriented,and the piano begin to play a more and more important role in the performance of guzheng music.The combination of piano and guzheng is of great significance to the modernization of traditional guzheng music,as well as an important way to further nationalize piano music in our country.