从模仿现实到生产现实——论海德格尔的艺术现象学与现代艺术

From Imitating Reality to Producing Reality:Heidegger's Phenomenology of Art and Modern Art

德国艺术史家马克斯·伊姆达尔曾指出:塞尚的艺术创作不是一种“模仿对象”的活动,而是一种“生产对象”的活动。早在20世纪30年代,德国哲学家马丁·海德格尔在《艺术作品的本源》中就已提出过以下思想,即艺术不是“模仿”现实,而是“生产”现实。基于此,本文将“生产”概念作为理解海德格尔艺术现象学的一条引线来重点探讨其晚期对现代艺术,尤其是对保罗·塞尚和保罗·克利的艺术的相关思考,以此展现海德格尔的艺术思想与现代艺术及艺术理论之间一次可能的对话。

German art historian Max Imdahl suggests that Cézanne's artistic creation is not an activity of“imitating object”,but an activity of“producing object”.As early as the 1930s,German philosopher Martin Heidegger had already proposed in“The Origin of the Work of Art”that art was not an imitation of reality,but a production of reality.This paper takes the concept of“production”as an approach to understanding Heidegger's phenomenology of art,and focuses on his late thought on modern art,especially on the art of Paul Cézanne and Paul Klee.This paper intends to show a possible dialogue between Heideggers artistic thought and the modern art and art theory.