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长沙窑花鸟纹饰的艺术特征与审美研究

A Study on the Artistic Characteristics and Aesthetics of Flower and Bird Patterns in Changsha Kiln
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摘要 长沙窑是中国最早的彩瓷窑,它题材丰富、技法多样、意趣野逸、意境广博,代表和承载着人们对生活的美好祝愿和期盼。在崇尚“以形写神”的艺术主流中,以其粗笔写意、逸气横生的发展面貌独树一帜,以花鸟纹为代表的动植物纹是长沙窑的主要装饰题材之一。笔者以磁州窑瓷器上的花鸟纹饰为研究对象,阐述纹饰的来源和应用,分析长沙窑的艺术特征及其形成因素,揭示长沙窑鹿纹的审美价值和带给人们的精神享受。 Changsha Kiln is the earliest colored porcelain kiln in China,with rich themes,diverse techniques,wild and elegant taste,and broad artistic conception,representing and carrying people's good wishes and expectations for life.In the mainstream of art that advocates"writing gods through form",it is unique in its bold brushwork and elegant development.Animal and plant patterns represented by flower and bird patterns are one of the main decorative themes of Changsha kiln.This article takes the flower and bird patterns on Cizhou kiln porcelain as the research object,elaborates on the source and application of patterns,analyzes the artistic characteristics and formation factors of Changsha kiln,and reveals the aesthetic value and spiritual enjoyment brought to people by the deer patterns of Changsha kiln.
作者 张瑾 Zhang Jin(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333000,China)
机构地区 景德镇陶瓷大学
出处 《陶瓷》 CAS 2024年第1期71-73,共3页 Ceramics
关键词 长沙窑 花鸟画 陶瓷装饰 Changsha kiln Flower-and-bird-painting Ceramic decoration
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