阮玲玉自杀事件的诉讼视角、媒体钩沉及“新女性”形象建构

The Litigation Perspective, Media Reflection and Image Construction of “New Women”in Ruan Lingyu’s Suicide Case

阮玲玉自杀事件是20世纪30年代中国影坛的大事件,关于其死因的探讨及引发的社会舆论长期存于中国影人的批评研究中,并呈现出多元融合的趋势。阮玲玉与张达民、唐季珊的情感纠葛及其所引起的报刊舆论风波,反映了女性个体名誉遭遇污名化的尴尬,揭示出女明星这一群体的命运浮沉与社会思潮、大众文化、市井心理等之间的深层关联。社会各界通过阮玲玉自杀事件而引发的对于女性意识、女性形象、女性职业等“新女性”建构问题的讨论,揭示出女性、媒介及各方权力之间的多重话语博弈,也是20世纪30年代妇女解放运动的重要体现。

The Ruan Lingyu suicide incident was a major event in the Chinese film industry in the 1930s.Discussions on the cause of her death and the resulting public opinion have long been present in the critical studies of Chinese filmmakers,exhibiting a trend of diversified integration.The emotional entanglements involving Ruan Lingyu,Zhang Damin,and Tang Jishan,as well as the resulting public opinion turmoil,reflect the awkward situation of women’s individual reputations being stigmatized and reveal the deep connection between the fate of female celebrities and social trends,popular culture,and market psychology.The discussion triggered by Ruan Lingyu’s suicide incident among various sectors of society on topics such as women’s awareness,image,and profession,reveals the multiple discourse struggles among women,the media,and various powers,serving as an important representation of the women’s liberation movement in the 1930s.