女性批评的召唤——以山尹新著《边缘处守望》为例

The Call of Women’s Criticism:Taking Shan Yin’s New Book Watching at the Edge as an Example

文学批评具有真诚的召唤力量,山尹在其新著《边缘处守望》中实践了文学批评的多种范式,并展露了批评的三个维度:虽然身处当代文学研究边缘,但在对“中心预设”的超出姿态中,山尹建立起极具个人化的研究主线;山尹的文学批评更多调动了女性主义的思想资源,在思考文本和生活的权力关系、揭示被父权制遮蔽的观念等方面,找到了自己切入中国当代文学的别致路径;区别于结构主义诗学对文学能力的界定(以往文学程式化形式化的熟稔),山尹更加专注于解读经由文本接近的事实,这种朝向世界的真诚的伦理力量,使得批评家也可以是真诚写作的作家。

Literary criticism bears the power of a sincere summons.In her new book Watching at the Edge,Shan Yin explores multiple paradigms of literary criticism,unveiling three dimensions of critique.Despite her position at the fringes of contemporary literary research,she establishes a highly personalized line of inquiry marked by a posture of surpassing“central presuppositions”.Shan Yin’s literary critique extensively incorporates feminist ideological resources,finding her own distinctive path in engaging with contemporary Chinese literature.Through reflecting on power dynamics within texts and in relation to life,as well as unmasking concepts concealed by patriarchy,she forges a distinctive path for herself in engaging with contemporary Chinese literature.Shan Yin demonstrates a profound dedication to interpreting the facts approached through texts.This ethical force,oriented towards sincerity in engaging with the world,permits a critic to also be a writer who writes with authenticity.