基于宋代美学浅析现代影青陶瓷人物雕刻

A Brief Analysis of Modern Shadow Green Ceramic Figure Sculptures Based on the Aesthetics of the Song Dynasty

“致广大而尽精微,极高明而道中庸”,在窥见了广袤天地、看尽了世间繁华后,而深入细微之处,低头看见生活的细节与生命原生的美。宋朝审美主张摒弃繁复纹样与鲜艳色彩而追求设计与质感,这种大道至简返璞归真的美学标准跨越了千年,如预知般的与现代设计师所追求的“高级感”不谋而合。

"To reach the vastness but keep the subtleties,to be extremely wise but to reach the mean."After having a glimpse of the vast world and all the prosperity of the world,we then go deep into the subtleties and look down to see the details of life and the original beauty of life.The aesthetics of the Song Dynasty advocated abandoning complicated patterns and bright colors and pursuing design and texture.This aesthetic standard of simplicity and simplicity has spanned thousands of years and predictably coincides with the"high-end sense"pursued by modern designers.