民间艺术的调适和构建——以晋中“背铁棍”为例

The Adaptation and Construction of Folk Art——Taking Jinzhong’s“Carrying Iron Rod”as an Example

本文以晋中民间艺术背铁棍的发展为例,从地方感的研究视角出发,关注了民间艺术的调适与建构。通过研究,发现独特的文化环境塑造了背铁棍的地方性,背铁棍作为一种地方文化符号,从仪式到展演的变迁中建构着地方性文化。同时,背铁棍作为民间艺术,凝练了社会记忆,强化了社区的内部认同。本文为我国文化遗产事业中地方性文化的挖掘提供了丰富的艺术民族志样本。

This paper takes the development of Jinzhong folk art with iron rod as an example,and focuses on the adaptation and construction of folk art from the perspective of the research on the sense of place.Through the research,it is found that the unique cultural environment shapes the locality of the back iron rod.As a local cultural symbol,the back iron rod constructs the local culture from the change of ceremony to exhibition.At the same time,as a folk art,the back iron rod condensed social memory and strengthened the internal identity of the community.The article provides abundant art ethnographic sample for the local culture excavation in the cultural heritage cause of our country.