藏地生活的主体性书写与世俗化呈现--对万玛才旦小说的现代性阐释

Subjective Writing and Secularized Presentation of Xizang Life--A Modern Interpretation of Pema Tseden’s Novels

万玛才旦作为一个生长在藏地的作家,以文化持有者的内部眼光讲述自己的民族,打破了非藏地作家对藏区景观化的写作模式,让读者能够体认到真正的藏地和藏族人民的生活。他的小说反映了藏地传统文化与现代文化的碰撞与交融,其中有很多作品的主题与“寻找”相关,蕴含着他对藏地传统文化的缅怀和思考。他的小说体现出了现代派小说的特征,其小说的形式具有开放性和未完成性,开放性给读者留下了更多的想象空间,小说的未完成性表现了作者对藏地现代化发展的迷茫与无法预料感。一些看似荒诞、奇幻特质的事件,在藏族人民的眼中却是现实,因此万玛才旦的小说在亦真亦幻中将藏族人民的生命意识和精神世界呈现了出来。

As a writer who grew up in Xizang,Pema Tseden talks about his own people from the internal perspective of a culture holder,breaking the pattern of non-Xizang writers’landscaping of Xizang areas and enabling readers to recognize the real Xizang and the life of the Xizang people.His novels reflect the collision and fusion of traditional and modern cultures in Xizang,and many of his works are related to the theme of“searching”,which implies his remembrance of and reflection on traditional Xizang culture.His novels embody the characteristics of modernist novels,with openness and unfinishedness in their form,which leave more space for readers to imagine,while the unfinishedness of the novels expresses the author’s confusion and unpredictability towards the modernization and development of Xizang.Certain events that seem to be absurd and fantastical are reality in the eyes of the Xizang people,so Pema Tseden’s novels present the life consciousness and spiritual world of the Xizang people in both the reality and the fantasy.