摘要
本文通过对庙底沟类型彩陶的鸟纹进行全面梳理,认为其包含的圆点+弧边三角、圆点+勾弧、圆点+弧线三类组合图案均属对简化鸟纹的表现,其脱胎于写实鸟纹的主体轮廊,可依据头身的不同位置区分出不同形态,同时又均具单鸟、对鸟与群鸟三种形式,诸多样式丰富的纹饰实为不同简化鸟纹的搭配排布。
This article comprehensively sorts the bird patterns on painted pottery of Miaodigou type.It is concluded that three types of graphic combinations,respectively dots with arc-sided triangles,dots with arcs,and dots with curved lines,are all simplified versions of bird patterns based upon the main outlines of realistic depictions of birds.Different postures can be distinguished according to different relative positions of the birds'heads and bodies.Meanwhile,there are patterns depicting a single bird,a pair of birds,and a flock.The wide range of patterns are in fact combinations and arrangements of varied simplifications of bird patterns.
出处
《华夏考古》
北大核心
2023年第6期70-82,共13页
Huaxia Archaeology
基金
国家重点研发计划“中华文明探源研究项目”课题八“中华文明起源进程的整体性研究”(课题编号:2020YFC1521608)的阶段性成果
中国历史研究院李新伟学者工作室研究项目。
关键词
仰韶文化
庙底沟类型
彩陶
鸟纹
Yangshao Culture
Miaodigou type
painted pottery
bird pattern