论越剧的创新与发展——以交响音乐会版越剧《霞姑,霞姑》为例

On the Innovation and Development of Yue Opera——A Case Study of Xiagu,Xiagu,the Symphonic Concert Version of Yue Opera

越剧《霞姑,霞姑》真切地表现了革命者杨开慧的成长历程、思想觉悟以及“舍小我,成大我”的革命牺牲精神,彰显了她用青春和信仰凝成生命“绝唱”的革命精神。该剧在不失传统越剧本色的基础上,对剧目题材、音乐创作以及戏曲艺术表现形式进行了一定程度的革新,它准确把握了政治和文艺的关系,在守正中兼具多元化的艺术性和政治性,传递出革命信仰对青年同胞的感召,同时激励当代青年要肩负时代的新使命和新担当。

The Yue drama Xia Gu,Xia Gu elaborates the revolutionary Yang Kaihui's growth,ideological enlightenment and patriotic idea of“sacrificing the individual self to achieve the collective greater”,and highlights the revolutionary spirit of her life as a“masterpiece”with her youth and faith.On the basis of traditional Yue Opera,the play has innovated to a certain extent on the theme of the play,music composition and artistic expression.It accurately grasps the relationship between politics and literature and art,and combines diversified artistry and politics in upholding the righteous ideology.It transmits the call of revolutionary faith to the young compatriots,and at the same time,inspires the young people of the present generation to take up the new mission and new responsibility of the times.