摘要
16世纪后半期至17世纪,市场对新出现的克拉克瓷(以装饰形式命名的产物)甚为好奇,除了与以器形为分类原则的考古学标准大相径庭外,对克拉克瓷的开光装饰来源也有一定的猜测与讨论。随着研究的逐步推进,除了以9世纪伊斯兰陶瓷装饰纹样为可能的参照以外,还通过比较克拉克瓷的边框纹饰与海外重制金属镶嵌,梳理从17世纪起消费地对瓷器边框装饰生产可能的影响,以期使克拉克瓷开光装饰纹样的来源研究日趋多元及立体。
The Kraak ware emerged from the European market since late 16th century to 17th century.The naming rule of the products named after its fenestration was different from the rule in archaeology.The latter one was named after its shape of the wares.In addition to one of the sources of the fenestration on Kraak ware was believed Islamic style since 9th century,the essay discussed metal framing on porcelain in Europe since 17th century might be the other source of fenestration.In other words,the pattern of fenestration on Kraak waremight be the influences from consumption places.
出处
《创意设计源》
2023年第6期21-27,共7页
Idea & Design
关键词
克拉克
瓷器
开光
金属镶嵌
Kraak ware
porcelain
fenestration
metal framming