摘要
罗兰·艾默里奇执导的《哥斯拉》于1998年上映,影片中的灾难书写从主题、人物形象及其符号象征三重维度,立体呈现了人类世图景,并探索了人类、自然和科技之间的异化关系。影片通过对工具理性下的剥削者以及科技异化的正反方形象的建构,凸显了科技发展的二难选择以及人与其它物种之间的生态关系,既是对人类中心主义的批判,也是对科技滥用与生态保护等问题的深邃思考。
Godzilla,directed by Roland Emmerich,was released in 1998.The disaster writing in the film presents a three-dimensional picture of the Anthropocene from the three dimensions of theme,character image and symbolic meaning,and explores the alienation relationship among human beings,nature and science and technology.The film constructs the images of exploiters under instrumental rationality,positive and negative aspects of scientific and technological alienation,and highlights the dilemma of scientific and technological development,as well as the ecological relationship between humans and other pieces.The film is both critigue of anthropocentrism and a profound roflection on the technological abuse and ecological protection.
作者
姜易
李维
JIANG Yi;LI Wei(College of Literature and History and Culture,Qiqihar University,Qiqihar Heilongjiang 161006,China)
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2024年第1期49-53,共5页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
2021年度黑龙江省属高校基本科研业务费项目:科幻未来主义诗学建构(14510967)。
