摘要
澳大利亚导演乔治·米勒时隔三十年再度重启的电影《疯狂的麦克斯4》,以其贫瘠破败的末日废土世界和惊险刺激的追车大战,横扫了当年的院线票房和颁奖典礼。其中的破旧夹克与重金属妆容赢得了奥斯卡最佳服装设计和最佳化妆与发型设计两项人物造型奖项。文章将通过对影片《疯狂的麦克斯4》中角色服饰与妆发的深入分析,探讨通过造型设计构建角色的身份认同、刻画人物形象的方法,为未来影片的视觉设计提供参考。
The film Mad Max 4 resurrected by Australian director George Miller after a thirty-year hiatus,swept the box office and awards ceremonies with its desolate post-apocalyptic world and thrilling car chases.The worn jackets and heavy metal makeup of its characters earned both the Academy Awards for Best Costume Design and Best Makeup and Hairstyling.This article delves into an in-depth analysis of the character costumes and hair and makeup design present in the film Mad Max 4 exploring the methods by which these design elements construct the characters'identities and shape their overall portrayal.It aims to provide insights for future visual designs of films.
作者
刘婧一
LIU Jingyi(Beijing Film Academy,Beijing 100091,China)
出处
《西部皮革》
2024年第2期149-152,共4页
West Leather