从技术到观念——唐代陵阳公样“立鸟纹”发展流变考

From Technology to Concept:A Study on the Development and Change of Lingyanggongyang Bird Pattern in the Tang Dynasty

陵阳公样“立鸟纹”是唐代的典型纹样,它是由中亚、西亚传入的联珠团窠纹样发展变化而来,经过本土化的改造,形成了全新的风格。针对陵阳公样中“立鸟纹”发展传播的过程,将实物、图像和文献资料相结合,分析纹样的起源流变。分析得出技术和观念共同决定了陵阳公样“立鸟纹”的形式发展及其在唐代的传播,新技术推动了纹样由异域到本土、由几何到自然、由交融到创新的演变;而唐代人们对自然之物的关注、对美好爱情的祈愿及对自身审美情趣的表现等新观念的产生,也对纹样的传播起到了至关重要的作用。通过考察纹样传播的路径可以看出,纹样发展演变的过程凸显了唐时期人们从向外寻找到向内探索的历程,彰显了中国文化强大的包容性、创新性及传承性。

The Lingyanggongyang"bird pattern"is a typical pattern in the Tang Dynasty.It evolved from the ribbon in pearl rounds pattern introduced from Central Asia and West Asia and underwent localization and transformation,forming a new style.In response to the development and dissemination process of the Lingyanggongyang"bird pattern",this article uses a research method mainly based on physical objects,supplemented by images and literature materials,to analyze the origin and evolution of the pattern.It is believed that technology and concepts jointly determine the form and development of the Lingyanggongyang"bird pattern"and its dissemination in the Tang Dynasty.Among them,new technologies have promoted the formation and evolution of the pattern from foreign to local,from geometry to nature,and from fusion to innovation.The emergence of new concepts such as the Tang Dynasty's attention to natural objects,the desire for beautiful love,and the expression of one's own aesthetic taste also played a crucial role in the dissemination of patterns.By examining the path of pattern dissemination,it can be seen that the development and evolution process of patterns highlights the process of people in the Tang Dynasty from seeking outward to exploring inward,highlighting the strong inclusiveness,innovation,and inheritance of Chinese culture.