探究敦煌飞天色彩美学在仙侠剧的服装设计中应用——以影视剧《长月烬明》为例

Explore the Application of Dunhuang Flying Sky Color Aesthetics in the Costume Design of Xianxia Drama:Take the Film and TV Series"Till The End of The Moon"as an Example

通过剖析影视(仙侠)剧服装中的敦煌飞天美学色彩元素,利用文献研究与案例分析的方式从案例中探寻色彩这个基本概念的内涵价值,并对不同角色所进行的色彩搭配进行分析,试图根据影视剧中的角色变化所应用的色彩搭配,揭示敦煌飞天色彩的色彩元素特征。通过影视剧传播中华文化,在国际交往中体现民族自信。从传统历史遗存的艺术审美特征角度来撰写影视剧服装的新思路,实现对中国传统文化的多元角度的延续,创造出新的艺术审美和视觉感受,展现其独特的美学价值。

Through analyzing the film and television(Xianxia)play clothing of Dunhuang flying aesthetic color elements,using literature research and case analysis from the case for the basic concept of the connotation of value,and analyze the color collocation of different roles,trying to according to the role of the change of color collocation,reveals the colour elements of Dunhuang flying color features.Spread Chinese culture through movies and TV dramas,and reflect national confidence in international exchanges.From the perspective of the artistic aesthetic characteristics of the traditional historical relics,to write the new ideas of film and television drama clothing,to realize the continuation of the multiple perspectives of the Chinese traditional culture,to create a new artistic aesthetic and visual feelings,and to show its unique aesthetic value.