18世纪欧洲绘画中的洛可可女装及其文化阐释

Rococo Dresses in 18th-Century European Painting and a Cultural Interpretation

本文通过赏析18世纪欧洲绘画中的洛可可女装,分析女装及绘画作为炫耀性消费品的现象,并探讨上层阶级女性审美意识形态在性别与阶级身份建构中的作用。本文借用的理论资源有西方马克思主义女性主义研究框架,福柯的权力规训理论,凡勃仑的有闲阶级论,波德里亚的消费社会研究以及约翰·伯格的观看与景观相关研究。

Through appreciating rococo dresses in 18th-century European paintings,this paper analyzes the phenomenon of women’s wear and paintings as conspicuous consumer goods,also discusses the role of upper-class women’s aesthetic ideology in the construction of gender and class identity.This study is based on Marxist feminist studies,Foucault’s theory of disciplinary power,Veblen’s theory of the leisure class,Baudrillard’s consumer society study,and John Berger’s image seeing research.