蓄势中的西藏话剧舞台艺术探求——西藏话剧艺术从“高原”迈向“高峰”路径探索

Exploration of the Xizang Dramatic Arts in its Accumulating Momentum——Seeking the Path for Xizang Dramatic Arts to Succeed from the"Plateau"to the"Summit"

新时代以来,我国戏剧事业坚持与时代同步,获得了艺术水准上的整体提升。但习近平总书记在文艺工作座谈会上指出的有“高原”缺“高峰”的现象依旧不容忽视,在戏剧生态不断优化的当下更显得尤为紧迫。西藏自治区文化底蕴深厚,在与各民族传统文化互鉴交融的漫长岁月中,形成了特具风貌且富有活力的西藏文化艺术。西藏话剧立足本土化、民族化题材,在戏剧主题性创作领域取得出类拔萃的佳绩,为我们探索从“高原”迈向“高峰”提供了更多的思考。

China's theater industry has consistently kept pace with the development of the era and achieved an overall improvement in artistic standards.However,the phenomenon of having a"plateau"but not a"summit,"as General Secretary Xi Jinping pointed out at the symposium on literary and artistic work,cannot be overlooked.It becomes especially pressing against the backdrop of an optimizing theatrical ecosystem.Xizang Autonomous Region has a profound cultural heritage and has formed a distinctive and vibrant Tibetan culture and arts through years of mutual learning and integration with other traditional cultures.Xizang dramatic arts are rooted in localized and ethnic themes and achieved outstanding results in the field of theatric creation,offering us more insights to explore the"plateau"to the"summit"pathway.