经典诗词中桃花寓意的多元二重性

The Dual Nature of Peach Blossom in Classical Poetry

在中国传统文化和古典诗词中反复出现的桃花意象,其寓意既有传承性和相对稳定性,又具有流变性和多元化特征。而在不同时代、不同作家作品中,桃花意象在诸多维度上的寓意都具有或喜或悲、或美或丑、或俗或雅等寓意指向相互对立的“二重性”特征。本研究以经典诗词中或感时、或喻女、或象征婚恋、或寄寓精神品格的桃花意象为例,浅析桃花寓意的多元二重性,旨在品味“一花千面”的咏桃诗词之美、管窥积淀了中华民族集体记忆和审美文化心理的独具特色的“桃花文化”。

The peach blossom image,which appears repeatedly in Chinese traditional culture and classical poetry,has not only inheritance and relative stability,but also rheological and diversified characteristics.However,in the works of different writers in different times,the connotations of peach blossom images in many dimensions have the characteristics of“duality”,such as joy or sadness,beauty or ugliness,vulgarity or elegance,which point to opposite meanings.This paper takes the peach blossom image in classical poetry as an example,which is either a sense of time,a metaphor for women,a symbol of love and marriage,or a symbol of spiritual character,and analyzes the multiple duality of peach blossom meaning,aiming to taste the beauty of“one flower with a thousand faces”of peach poems,and peek into the unique“peach blossom culture”that has accumulated the collective memory and aesthetic culture of the Chinese nation.