摘要
互文性起源于文学批评理论,挑战传统的作品观,关注文本意义的生成过程,后提炼出居间的方法论,指导多种艺术形态的研究。电影理论研究亦获其助益,尤其是电影类型学。从艺术概念入手,在文本分析基础上,涵盖共时的类型电影生产和历时的类型演进过程;从商业策略入手,解释产业基础的电影类型学研究,显露出文本—上下文的互文性;从仪式—接受视角入手,解析创作者与观众合作及协商关系的电影类型学研究,则体现出主体—接受者的互文性。
Originating from the theory of literary criticism,intertextuality challenges the traditional view of works and focuses on the generation process of textual significance,later involving into methodology of intermediary to guide the study of various artistic forms,from which film theorists have also benefited a lot,film typology in particular.With a view to the artistic concept,on the basis of text analysis,it composed of synchronic genre film production and diachronic genre evolution process.From the perspective of commercial strategy,the study of film genres which interpret the industrial basis reveals the intertextuality of text-context trait.Starting from ritual-reception,the typology of film analysis of the cooperation and negotiation relationship between creators and audiences reflects the intertextuality of subject-addressee nature.
作者
王姗
褚儒
WANG Shan;CHU Ru
基金
山东省艺术科学重点课题“跨媒介叙事视域下21世纪中国电影与话剧的互融研究”的阶段性研究成果(项目批准号:L2022Q06170124)
泰山学院青年教师科研基金项目“21世纪中国青年导演电影元电影特色研究”的阶段性研究成果(项目批准号:QN-02-202122)
江苏省社会科学基金课题“中国现代化主义电影的历史与美学研究的阶段性研究成果(1920—2020)”的阶段性研究成果(项目批准号:20YSC008)。