摘要
新世纪以来,随着技术发展与媒介的迭代更新,电影艺术面临的不确定比以往更加明显,除了数字时代电影美学、数字时代电影传播、数字时代电影制作外,经常被忽视的评论环节,也随着大背景的变化而变化。本文将以迷影角度切入,探究数字时代影视评论的转型,从形态、主体、传播角度深入,运用媒介考古学的方法,打捞那些留存于历史长河中的迷影文化,让历史被重新塑造,探寻一种面向未来的新可能。
Since 2000,with the development of technology and the iterative renewal of media,film art has met with more obvious uncertainty than ever.In addition to film aesthetics,film communication and film production in the digital age,the review link,which is often ignored,has also kept changes with the general background.The author here tries to explore the transformation of film criticism in the digital era from the perspective of cinephilia,with regard to the pattern,the subject and the dissemination.Moreover,we also resort to the method of media archaeology to reveal the fan film culture ignored by people so as to remold the film history which is expected to give off a new possibility for the future.
关键词
影视评论
迷影
数字时代
媒介考古
film criticism
cinephilia
digital age
media archaeology