摘要
从动画的缘起来说,目前学界普遍认同动画有“意指叙事”“绘制性”“变相性”“运动性”等特点,以上观点都有一定合理性。基于此进行总结,动画的本质是“在绘制性的基础上运动地表现无生命东西并赋予其新生命”的过程。动画中创造的“真”非现实中的“真”,其真实性来源于科学技术与艺术观念的“美的组合”,动画电影通过技术手段创造了现实生活中不存在的“新物种”,它们真实“存在”并被人们感知,动画影像也将人生中的“情与理”融入艺术创作,最终表达的是对“自由”“真”“善”“美”的追寻。
In terms of the animation origin,nearly all the current academic colleagues admit that animation has the characteristics of"implied narrative","graphability","metamorphosis"and"motion",etc.with something reasonable.Based on the above points of view,the nature of animation is the process of"showing inanimate things in motion and giving them new life on the basis of graphability".Although the"true scenes"created in animation is not the"veritable"in reality,its authenticity comes from the"beauty combination"of science,technology and artistic concepts,resulting in"new species"in animated films which do not exist in real life through technical means and which is really"existence"perceived by people.Animated images also integrate"affection and reason"in life into artistic creation.The ultimate expression aims at pursuing"freedom","authenticity","good"and"beauty".
基金
2023年重庆市社会科学规划项目“民国时期动画美学观的整理与延变研究”的阶段性研究成果(项目编号:2023NDYB186)
2023年重庆市教育委员会人文社会科学研究项目“中国抗战影视艺术的美学与美育研究”的阶段性研究成果(项目编号:23SKGH227)
2021年教育部人文社会科学研究一般项目“国家网络动画的影像修辞研究”的阶段性研究成果(项目编号:21YJCZH007)。
关键词
本真
自由
真善美
authenticity
freedom
true,good,and beauty