摘要
魏晋时期霖雨灾害的文学书写集中体现在诗歌、辞赋作品中,自建安末年以来逐渐形成霖雨灾害同题共作的创作倾向。作家通过文学作品书写霖雨灾害事件,不仅与正史所载相合,而且可补正史之不足。诗赋叙事中的作家“在场”源于作者对霖雨灾害事件的切身感受,诗、赋文本中的具体霖雨物象又表现出惊奇恐怖的叙事特征,最终由个体经验形成集体灾害记忆。作者在书写霖雨灾害的同时,表现出对受灾社会的深切同情,对灾害现场中自我与他人生命状态的关怀及审视。
The literary writing of the rain disaster during the Wei and Jin Dynasties is mainly reflected in poetry and Ci-Fu works.Since the end of the Jian’an period,there has gradually been a tendency of co-creating works with the same theme on rain disasters.Writers record the rain disaster events through literary works,which are consistent with the historical records on the one hand,and can supplement the shortcomings of historical records on the other hand.The writers’“presence”in poetry and Ci-Fu narratives comes from their personal experience in the rain disaster events,and the specific images of rain in the works show the narrative characteristics of“surprise and terror”,and finally become the collective disaster memory.While writing about the rain disasters,the writers also show their deep sympathy for the disaster-stricken society,as well as their care and reflection of life of themselves and others in the disaster.
作者
张云
ZHANG Yun(School of Chinese Language and Literature,Qinghai Normal University,Qinghai,China 810016)
出处
《温州大学学报(社会科学版)》
2024年第1期33-45,共13页
Journal of Wenzhou University:Social Science Edition
基金
贵州省2021年哲学社会科学规划国学单列课题(21GZGX11010)。
关键词
苦雨愁霖
惊奇恐怖
灾害文学
记忆
文学关怀
Rain Disasters
Surprise and Terror
Disaster Literature
Memory
Literary Care