崇高:1949年《人民文学》的“身体”阐释

Sublimity:“Body”Presentation in People’s Literature in 1949

文学作品中“身体”的形态特质可反映一定的时代特征。在强调主流意识形态规训的1949年,《人民文学》文本中的“身体”呈现出崇高的形态特征,即作为“身体”塑造一般原则的正面人物“身体”是美丽而年轻的,是崇高产生的基础;“暴力辩证法”破坏个人的“身体”,生成人的崇高感;政治抒情诗中“国家”的“政治身体”被赋予崇高的特质;群众的“身体”在崇高的感召之下呈现的从“翻身”到“翻心”的变化等,皆有着可待发掘的可能意义。

The morphological characteristics of“body”in literary works can reflect certain characteristics of the times.In 1949,when the discipline of mainstream ideology was emphasized,the“body”in People’s Literature presented sublime morphological characteristics,that is,the beautiful and young“body”as a positive figure was beauty,which was the general principle of shaping“body”and the basis of sublimity.The rhetoric of“violent dialectics”destroyed and ruined the individual’s“body”and generated a sense of sublimity;The“political body”of the“country”in political lyrics was also endowed with sublime characteristics;In addition to the positive figures,the“body”of the masses presented a change from“freeing the body”to“freeing the mind”under the sublime aspiration,which has the possible significance to be explored.