“视觉音乐”:阿穆尔地区传统仪式场景中的声音模仿

Music for Eyes:To the Problem of Sund Instrumentation of Traditional Amur Spectacle

文章分析了俄罗斯远东地区南部各族群文化表演中声音模仿的各个要素。在阐述仪式表演文本作为编舞、场景设计与声音模仿的重要性的同时,作者强调了仪式场景的混合主义表演基础。在仪式场景中基于声音模仿体系的混合主义思想意识在现实中不仅仅赋予了人们听觉印象,而且还将其转化成为视觉印象,因此这种混合主义思想意识展现出了各族群在思想意识上的统一。

This article analyzes the audio component of the culture of ethnic groups in the south of the Far East.Recognizing the importance of ritual and spectacle text as a choreographic system,stage design and acoustic principles,the author highlights the spectacular framework of ritual syncretism.It develops the idea that because of syncretic consciousness based on acoustic simulation gave a series of rites not only sound experience but also translate them into visual,demonstrating the unity of consciousness tribal man.