摘要
服饰和绘画一样,源于人类生产劳动的发展和审美意识的觉醒,二者在多种因素的推动下共同发展,有着天然且紧密的联系。在漫长的服装和绘画历史中,技术迭代创新引发了生产方式的不断改革,这些生产方式的变革又推动了不同的社会形态和社会结构的产生。作为时代的观察者,画家们用绘画的形式记录下这些进程,为研究服装变迁史提供了诸多依据。文章以生产方式的变革为线索,阐述生产方式变革给社会带来的改变,以及这些改变在绘画和服饰中的体现。
Clothing,like painting,originates from the development of human productive labor and the awakening of aesthetic consciousness.They have developed together under the impetus of many factors and have a natural and close connection.In the long history of clothing and painting,the iterative innovation of technology has triggered the continuous change of production methods,which in turn has promoted the emergence of different social forms and social structures.As observers of the times,painters have recorded these processes in the form of paintings,which provide us with a great deal of basis for studying the history of clothing change.Taking the change in the mode of production as a clue,this paper describes the changes brought about by the change in the mode of production to the society and how these changes were manifested in paintings and costumes.
作者
李梦婵
LI Mengchan(Harbin Normal University,Harbin 150000,China)
出处
《西部皮革》
2024年第3期35-37,共3页
West Leather
关键词
绘画
服饰
生产方式
社会形态
社会结构
painting
dress
mode of production
social form
social structure