《洛阳伽蓝记》所见北魏洛阳的声音与声景

The Sound and Scenery of Luoyang during the Northern Wei Dynasty as Seen in the Luoyang Qie Lan Ji

基于《洛阳伽蓝记》可以复原北魏洛阳的声音生态。洛阳的基调音乃佛教音,底色由佛塔的铎、铃,僧众的讲经、诵禅以及梵钟构成。行像则是声景之盛景与佛教音之高潮。相对而言,俗世音仅是分散的变奏。寺院为禅行营造相对的安静,《听钟歌》将声音与声景记于文本,体现了“无声”的存在。北魏对声音、声景的展示与控制,表现出古代权力运作下的声音政治。

Based on Luoyang Qie Lan Ji,the sound ecology of Luoyang in the Northern Wei Dynasty can be restored.The key tone of Luoyang is Buddhist tone,and the background color is composed of the bells of the pagoda,the monks'sermons and chanting,and the Buddhist bells.The Xing Xiang Ritual is the grand scene of soundscape and the climax of Buddhist sound.Comparatively speaking,earthly sounds are only scattered variations.The temple creates relative quietness for Zen.The Ting Zhong Ge records the sound and soundscape in the text,reflecting the existence of"silence".The display and control of sound and soundscape in the Northern Wei Dynasty showed the sound politics under the operation of ancient power.