摘要
汉代以来,中国古代传统艺术文化发展开始步入高峰期,在古代楼阁式建筑方面更可谓是取得了飞跃发展。陶楼作为汉代时期的一种宗教礼仪性器物,其产品的设计形制、质料工艺选择和设计制作的尺度要求等特点均体现出了当时社会政治结构变迁过程和与其他宗教墓葬信仰演化更替过程中的特点与规律。汉代陶楼是作为一种古代现实建筑中形制、技术等特点的镜像,本文通过汉代造物的审美观以及当时社会的思想文化,对汉代陶楼的造型艺术进行全面的研究。
Since the Han Dynasty,the development of China's ancient traditional art and culture has entered a peak period,especially in the aspect of ancient pavilion-style architecture.As a religious ritual object in the Han Dynasty,the characteristics of the product design,material and technology selection and scale requirements of design and production all reflect the characteristics and laws in the process of social and political structure change and the evolution and replacement with other religious tombs.The pottery building in Han Dynasty is a mirror image of the characteristics of form and technology in ancient realistic architecture.This paper makes a comprehensive study of the plastic arts of the pottery building in Han Dynasty through the aesthetic view of the creation in Han Dynasty and the ideology and culture of the society at that time.
出处
《中国陶瓷工业》
CAS
2023年第6期118-120,共3页
China Ceramic Industry
关键词
汉代陶楼
造型艺术
造物
pottery building in the Han Dynasty
Plastic arts
Creation