摘要
论文以印度温迪亚山脉为研究区域,以岩画和温迪亚地区居民生活习俗为背景,讨论了在社交及宗教场所中的舞蹈表演;对岩画中所发现的舞蹈、乐器和服饰的延续进行了阐述,进而努力了解其起因、目的、符号象征、性质、各种舞蹈形式、乐器用途等。超越时间和空间理解舞蹈的感知和媒介的感官敏感性,对舞蹈在日常特殊用途、仪式、节日等方面的重要性作了思考和阐述。
In this research paper,dance performances performed on social and religious occasions are discussed in the context of rock art and living practices among the inhabitants of the Vindhyan region.In this research paper the continuation of dance,instruments,and costumes found in rock art is being expressed in the context of the research area Vindhyan Range of India.Efforts are being made to understand the causes,purpose,symbols,nature,various forms of dance,different contexts,purposes of the instruments,and various types,and uses by taking recourse to it.The research paper is a successful attempt made to see the medium of sensory sensitivity and perception in dance,beyond time and space,while expressing thoughts on the importance of dance in daily special purposes,rites,festivals,etc.
作者
张嘉馨(译)
王荟(校)
Sachin Kumar Tiwary;Zhang Jiaxin;Wang Hui(Department of AIHC&Archaeology Banaras Hindu University,Varanasi,India 221005;The Institute of Ethnology and Anthropology,Chinese Academy of Social Sciences,Beijing,100081;Jimei University,Xiamen,Fujian 361021)
出处
《内蒙古艺术学院学报》
2023年第4期94-102,共9页
Journal of Inner Mongolia Arts University
基金
国家社科基金青年项目“海峡两岸岩画比较研究与文化认同”(项目编号:18CMZ029)的系列研究成果
中国社会科学院“中华民族优秀传统文化与铸牢中华民族共同体意识关系研究”(项目编号:2023MZSCXXK003)
教育部哲学社会科学研究重大课题攻关项目“中国岩学画研究”(批准号22JZD032)阶段性成果。
关键词
岩画
舞蹈
乐器
民族志
印度东温迪亚地区
Rock Art
Dance
Musical Instruments
Ethno
Eastern Vindhyan Region