摘要
岩彩画是在当下艺术语境中对以天然岩石微粒为材料进行绘画语言展示的绘画种类的一种称谓。岩彩画根植于中国传统文化之中,在当代,又具有多向延展的可能。它一方面秉承着一种内在的、一脉相承的东风绘画的语言逻辑;一方面在全新的时空里不断拓展自身的阐释空间,从岩彩的角度重新梳理中国绘画的历史脉络,找到其中的传统绘画基因,重新复活并传承一些曾经失落的汉唐绘画语汇。我们以岩彩的角度展开艺术思考,可以找到一个以回归东方文明为前提,立足于本土文脉的传承并探寻其当代新形态的可实施方案。当代艺术家和岩彩艺术研究者莲羊的绘画理念及绘画作品,正是以岩彩材质作为形式建构的基础和形式转换的通道,且能自然而然地嬗变为艺术创作的叙事方式的一个研究个案。其作品既可以延展中国传统绘画和东方的审美意象,也可体现出“材质物语”的当代创作思维意象,作为当代艺术的中国方式及当代创作的独特视角,莲羊的岩彩画作品,为我们展示出更具有开放性与多样化的未来空间。
Mineral color painting is a term for a type of painting that uses natural rock particles as materials in painting language in the current artistic context.It rooted in traditional Chinese culture and has the potential to expand in many directions in contemporary times.On the one hand,it inherits a kind of internal and consistent language logic of Oriental painting;On the other hand,it constantly expands its interpretation space in a new time and space,reorganizes the historical context of Chinese painting from the perspective of mineral color,finding the traditional painting genes,resurrecting and inheriting some once lost painting vocabulary of Han and Tang Dynasties.Pondering art from the perspective of mineral color painting,we can find an implementable solution based on the inheritance of the local context and exploring its new contemporary forms based on a return to Oriental civilization.Painting ideas and painting works of Lian Yang,a contemporary artist and mineral color painting art researcher,can be studied for where mineral color materials are used as the foundation of form construction and channels for form transformation,and can be naturally transformed into a narrative style of artistic creation.His works can not only extend traditional Chinese painting and Oriental aesthetic images,but also reflect the contemporary creative thinking of“material stories”.As a Chinese style of contemporary art and a unique perspective on contemporary creation,Lian Yang's mineral color painting works show us a more open and diverse future space.
作者
李晖
金立晗
Li Hui;Jin Lihan(School of Design,Anhui Polytechnic University,Anhui 241000)
出处
《内蒙古艺术学院学报》
2023年第4期198-204,共7页
Journal of Inner Mongolia Arts University
基金
安徽省哲学社会科学规划项目“皖南新四军红色文化的时代表达与数字化呈现”(项目编号:AHSKY2021D110)系列研究成果
2022年度安徽省教育厅高等学校省级质量工程项目“新文科背景下设计学类专业基础教学课程体系改革与研究”(项目编号:2022jyxm116)的阶段性研究成果。
关键词
岩彩
莲羊
审美价值
肌理
材质语言
材质表意
Mineral color
Lian Yang
Aesthetic value
Texture
Material language
Material expression