宋代陶瓷造型的形式特征与宋人雅致生活习惯的关系

The Relationship Between the Formal Characteristics of Song Dynasty Ceramic Modeling and the Elegant Living Habits of the Song People

宋代是中国历史上经济和文化发展的巅峰时期,城坊制的解体推动了都市生活的繁荣,物质的丰裕提升了当时人们对生活品质和精神审美的追求。其中,“点茶、焚香、插花、挂画”风雅四艺得到繁荣发展,宋人对于宴饮文化生活的追求也在不断提高。宋代是中国古代陶瓷发展史上的鼎盛时期,这些雅致生活习惯使得陶瓷造型设计开始有了新的审美取向和造型方向,为陶瓷造型设计提供了丰厚的土壤,在符合宋人雅致生活习惯的同时,突出其文化载体和艺术价值,这种外在形式与内在价值有机结合所形成的独特艺术魅力,使得宋代陶瓷造型表现出独特而雅致、丰富而深厚的时代特点。笔者主要探讨宋代陶瓷造型的形式特征与宋人雅致生活习惯的关系。

The Song dynasty was a peak period of economic and cultural development in Chinese history. The dissolution of the ward system promoted the prosperity of urban life. The abundance of material wealth enhanced the pursuit of quality of life and aesthetic taste among the people. Among them, not only the four elegant arts of "brewing tea, burning incense, arranging flowers, and hanging paintings" flourished, but also the pursuit of banquet and drinking culture was constantly improved. The Song dynasty was also the golden age of ancient Chinese ceramics. These elegant living habits made the ceramic design have a new aesthetic orientation and direction, providing a rich soil for ceramic design. While conforming to the elegant living habits of the Song people, they highlighted their cultural carrier and artistic value. The unique artistic charm formed by the organic combination of external form and internal value made the Song dynasty ceramic design show a unique, elegant, rich and profound historical feature. This article will focus on the relationship between the formal characteristics of Song dynasty ceramic design and the elegant living habits of Song people.