摘要
陶瓷是中国最古老的文化之一,以极长的保存时间、独特的制作过程、可兼具古技法与新形式的表现手法,在艺术领域中占据着重要的地位,所包含的创作技法多种多样。泥条盘筑作为由古流传至今的手法之一,表达了鲜明的肌理特征,附着了丰厚的作者情感,呈现了特别的场域空间。运用在陶瓷雕塑创作上的泥条盘筑技法,带来了不同其他材料、手法的表现力。笔者通过对历史与当代泥条盘筑在雕塑创作中的应用,艺术家不同创作内容的表达的研究,以此探究泥条盘筑在陶瓷雕塑上艺术语言的表达。
Ceramics is one of the oldest cultures in China. It occupies an important position in the art field with its extremely long preservation time, unique production process, and expression techniques of both ancient and new forms. It contains a variety of creative techniques. As one of the techniques handed down from ancient times to the present, coil method expresses distinct texture characteristics, attaches rich author emotion, and presents a special field space. The technique of coil method building used in the creation of ceramic sculpture brings different expressions of other materials and techniques. This paper explores the expression of artistic language on ceramic sculpture by studying the application of historical and contemporary clay strip building in sculpture creation and the expression of artists' different creation contents.
作者
冯泽宽
Feng Zekuan(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)
出处
《陶瓷》
CAS
2024年第2期179-181,共3页
Ceramics
关键词
泥条盘筑
陶瓷雕塑
艺术审美
Coil method
Ceramic sculpture
Artistic aesthetics