“听杨正经弹琴诗”的地域流衍及书写递变

The Geographical Diffusion and Writing Changes of“Listening to YANG Zheng-jing’s Poems with Playing the Guqin”

清初,自称崇祯宫廷乐师的杨正经流落淮安后以演奏“思君”“思亲”的“二操”知名,山东、江苏、浙江、广东等地的诗歌名家陆续参与“听杨正经弹琴诗”的创作,此题以参与人数多、涉及区域广、持续时间久而成为清初值得关注的诗歌现象。“听杨正经弹琴诗”深入文学视野,有赖于时代风气与江南文学、艺术生态的共构,以张养重、王猷定、屈大均等重要创作者为中心,可梳理出其生成及流衍特征。受清初特定地域境遇的制约,“听杨正经弹琴诗”的书写主要集中在商业性城市与动荡不定地区的遗民文人群体,其数量在南北地域中的不均衡与旨趣在南方各区域的演变等,均为一代遗民文人心态起伏之写照。

In the early Qing Dynasty,YANG Zheng-jing,who claimed to be a musician in Chongzhen’s court,was famous for playing the“Two Cao”of“Thinking of the Emperor”and“Thinking of Relatives”in Huai’an.And famous poets in Shandong,Jiangsu,Zhejiang,and Guangdong participated in the creation of“Listening to YANG Zheng-jing’s Poems with Playing the Guqin”one after another,which became a noteworthy poetic phe-nomenon at the beginning of the Qing Dynasty for its large number of participants,wide range of areas involved and long duration.The penetration of“Listening to YANG Zheng-jing’s Poems with Playing the Guqin”into the literary horizon depended on the co-construction of the times and Jiangnan’s literary and artistic ecology.Taking ZHANG Yang-zhong,WANG You-ding,QU Da-jun and other important creators as the centre,the characteristics of its generation and diffusion can be sorted out.Constrained by the specific geo-graphical situation of the early Qing dynasty,the writing of“Listening to YANG Zheng-jing’s Poems with Playing the Guqin”mainly focused on the relic literati groups in commercial cities and unstable regions,and the imbalance in the number of poems in the northern and southern regions,as well as the evolution of the pur-pose of the poems in the southern regions,are a reflection of the ups and downs of the mentality of the genera-tion of relic literati.