论清中后期花部戏本的体制嬗继

On the Systematic Evolution of Huabu Plays in the Middle and Late Qing Dynasty

清中后期花部戏本,具有承继副末开场的报条,存在以[点绛唇]开场和段落性“同韵”的音乐现象,出现了灵活使用脚色的新变化。这些体制特征与传奇体制存在承继关系。清中后期花部戏本体制嬗继,反映了戏曲史发展过程中戏曲体制观念的格律性和统一性。花部戏体制的嬗继,揭示了“花”“雅”之间紧密承续的历史事实。

In the middle and late Qing Dynasty,the"Bao Tiao"in Huabu playscript is an inheritance of the"opening by Fumo",the music of Huabu plays is featured with the opening of melody of"Dian Jiangchun"and"Tong Yun"(the same rhyme)in different sections;another change in Huabu plays is the flexible employment of role types.These systematic characteristics were inherited from Chuanqi.In the middle and late Qing Dynasty,the evolution of the Huabu system reflects the regularity and unity of the concept of theatre system in the development of theatre history.The evolution of the Huabu system reveals the historical fact that the"Hua"(vulgar)inherited from the"Ya"(elegant).