延续与融通——董大酉西北区期间大学校园作品解读(1952—1955)

Continuity and Integration:Analyzing Works of DONG Dayou on Campus in Northwest China(1952-1955)

本文选取董大酉1952—1955年在国家“支援西北建设”的时代背景下,赴西北区任职期间的大学校园规划及建筑设计作品进行解析,提出董大酉这一时期建筑风格和设计思想的历史延续性。新中国成立初期,董大酉在西北地区设计实践中,立足于地方社会、政治、经济、文化、技术等背景下,在“传统与现代”之间不断调适,将上海时期对“西方古典主义”“中国传统复兴”“现代主义”的探索和实践因地制宜地进行创新,以“科学性”“民族性”“艺术性”并重的姿态持续探索民族建筑、地域建筑的发展道路。董大酉的作品和思想是连接中国东部、西部建筑实践和理论的重要遗产。

By inspecting DONG Dayou’s university campus planning and architectural design works during his tenure in Northwest China from 1952 to 1955 under the background of“supporting the construction of Northwest China”,this paper put forward the historical continuity of DONG Dayou’s architectural style and design thought in this period.In DONG Dayou’s design practice in the northwest of China in the early years of the founding of the country,based on local social,political,economic,cultural and technological factors,constantly adjusted between“tradition and modernity”,and innovated the exploration and practice of“Beaux-arts”,“Chinese traditional revival”and“modernism”in the Shanghai period to suit local conditions,and continued to explore the path of development of national and regional architecture with equal emphasis on“science”,“nationalism”and“art”.DONG Dayou’s works and ideas are an important legacy linking the architectural practices and theories of eastern and western China.